A reluctant assassin must protect his pregnant wife after he becomes entangled in a rogue customs agent's drug ring.

Boundary Exercise… positions land surveys, surveying instruments and plat maps as tools of a Western colonial agenda that helped establish and maintain the power dynamics of white supremacy. Evolving from this conceptual foundation, this film thinks through the ways that plant life can provide liberatory models for how our bodies might also subvert these structures of power and control. The film utilizes 264 feet—7 minutes and 20 seconds—of 16mm film, which is the distance of the perimeter of a square chain (a surveying measurement). I buried distances of the film along the property boundary lines of former plantation land in Alabama that is deeply connected to my family, inviting a reciprocal and collaborative relationship with the material itself. (Elizabeth M. Webb)

Bond has left active service and is enjoying a tranquil life in Jamaica. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading Bond onto the trail of a mysterious villain armed with dangerous new technology.

Nao Matsushita brings you the world of delicious Japanese food and traditional crafts, which are world intangible cultural heritage. This time, she is heading to Kanazawa.

The line between the good guys and the bad guys blurs as ruthless bounty hunters No Name and Dynamite Davenport shoot their way through the Wild West, collecting rewards and making more enemies than friends. With the outlaw John Wilkes Booth on the run and gold hidden in the hills, justice must be served.

In 1989, a breakthrough in "advanced parasitic research" on Cuttyhunk Island gave scientists a jump in human evolution. Initial tests proved promising, as subjects experienced heightened physical and mental strength and awareness. But - something in the experiment went horribly wrong, and the island mysteriously lost three quarters of its population.

When a shy young man arrives on her doorstep, Alice Hartley grabs the chance to escape from her loveless marriage. She and Michael open a Growth Centre with a difference - offering sex, drugs and personalised water births.

The time has come for Eli and the Shane Gang to take their new friend Junjie home to the strange and beautiful Eastern Caverns. But when they arrive, they are shocked to find a world darker and more dangerous than Junjie remembers.

First, a question to the viewer: if it were raining indoors, where would we seek shelter from the insistent drops? Where would we feel safe and dry? We have to go to the other side of the threshold. Suddenly a bell rings, and who is it ringing for? “I spoke to me, he to he, she to she, the ground spoke to the ground, the trees to the tree. Meanwhile inside, the familiarity of that well met rain continues to be falling…“ writes the director. 　　The animation, which evokes the presence of a hand, is like pleasant afternoon rain in summer – a time for contemplation, talking to oneself, and beholding a sky at dusk. Australian-born Milly Yencken studied painting in Tasmania and received her classical animation training in Vancouver, continuing her studies at Masters level at the Estonian Academy of Arts. Her work combines oil painting with charcoal to create her signature brand of colour brutalism and fauvist embellishment, attempting to create spaces and images that are immersive and invite reflection in the viewer. 　　源自：https://rigaiff.lv/en/films-2023/austrumlietus/

First, a question to the viewer: if it were raining indoors, where would we seek shelter from the insistent drops? Where would we feel safe and dry? We have to go to the other side of the threshold. Suddenly a bell rings, and who is it ringing for? “I spoke to me, he to he, she to she, the ground spoke to the ground, the trees to the tree. Meanwhile inside, the familiarity of that well met rain continues to be falling…“ writes the director. 　　The animation, which evokes the presence of a hand, is like pleasant afternoon rain in summer – a time for contemplation, talking to oneself, and beholding a sky at dusk. Australian-born Milly Yencken studied painting in Tasmania and received her classical animation training in Vancouver, continuing her studies at Masters level at the Estonian Academy of Arts. Her work combines oil painting with charcoal to create her signature brand of colour brutalism and fauvist embellishment, attempting to create spaces and images that are immersive and invite reflection in the viewer. 　　源自：https://rigaiff.lv/en/films-2023/austrumlietus/